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Anything beyond this note is not very usable. In the chart, I have included notes up to the very-high F. While a newbie might struggle to play the middle-Bb, you might be able to play 2 octaves higher than that. The range on the trombone depends on your strength and embouchure. This is due to the fact that the intervals between the notes higher up in the harmonic series on the trombone get smaller and smaller. But as the range gets higher, alternate positions get more and more frequent. Higher range = more alternate positionsĪs you can see in the charts, notes in the low range have no or few alternate positions. For example, if the symbol □* is located in the column for 3rd position, this means that you will have to place the slide somewhere in between the 3rd and 2nd position in order to play the note in tune. This means that you will have to place the slide further in than the standard position. Some of the symbols have an asterisk added to them. The symbol □ means you have to use a trigger or F attachment to play the note in that position. The default position is marked with □ and the alternate position is marked with □. In the chart, I have noted both the default slide position for each note and the alternate position(s). But I bet this chart will reveal some alternate positions you hadn’t yet discovered! Get access to an extended version of this exercise plus tons of other trombone flexibility exercises in the member’s section.Trombone alternate positions – the complete slide chartĭid you know that many notes on the trombone can be played on more than one slide position? If you play the trombone, you probably do. Scroll down for the sheet music and go for it! There is not much more to be said about this exercise. And tomorrow you start at 7th and go up to 1st position. Start the exercise on 1st position and work your way out to 7th, repeating the whole pattern on every position. If the last few intervals are too high, just skip them.
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Think of it as running, you don’t want to think about every step you take, but rather just the direction and the speed and the flow. The goal is to get to the point where you don’t notice the individual notes, they just flow. I recommend that you write down the tempo you can play it in today, and try to raise it by a few beats per minute every day over a period of time. Find a metronome, and set a slow tempo that allows you to play the whole rhythmical pattern without stumbling. There is only one way to make it work, and that is to start slow. Or you can use your soon-to-be-improved trill skills to show off in the trombone locker room. Regardless of the genres you play, they will be needed at some point. With that in place: Let’s do something about your lip trills. Footballers don’t just kick a ball around all the time at practice… Trombone lesson: Lip trills This is how to master lip trills on your trombone and how to practice them.Īdmittedly, this flexibility exercise is not the most fun you can have with a trombone, but there’s no way around the fact that there’s a lot of hard work involved if you want to be a top performer on a brass instrument.